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We’re Studio Dot - founded in 2019 by two friends, Anmol Arora and Shubhit Khurana, who figured spaces should tell stories (and not just be places where you bump into furniture).
Since then, we’ve been fortunate enough to work on all sorts of projects - homes, retail stores, exhibitions, factories, and even the odd café where people sometimes forget to leave (we take that as a compliment!).
What drives us? It’s simple: client first, always. Our only job is to make sure your brief shines through - down to the tiniest detail. Because at the end of the day, it’s your space, your story.
We started Studio Dot because we wanted to bring a slice of ourselves - and a whole lot of value - to the way spaces are designed and experienced. And while we take every project seriously (sometimes to the point of obsessing over things nobody notices but us), we don’t really take ourselves that seriously. We just love tinkering with spaces and pushing the boundaries of design, one dot at a time.
The Founders
Every partnership has its balance - ours is no different. Anmol makes sure details aren’t missed and execution runs like clockwork. Shubhit, on the other hand, is the one nudging everyone to go a step further - because “good enough” is never really enough. Together, they keep Studio Dot steady and curious at the same time.
ANMOL ARORA
partner
Anmol studied Architecture at USAP, IP University (2016) and later pursued a Master’s in Advanced Architecture from IAAC, Barcelona (2019). Somewhere between late-night submissions and digital fabrication workshops, he picked up two habits that haven’t left him since: obsessing over how things are made and juggling more projects than most people think is possible.
Today, that shows up in the way he unpacks a brief, layers details, and manages execution so clients don’t just get great design, they get it on time. He’s the one who keeps the moving parts moving - and usually moving on schedule (yes, he loves timelines more than most people love weekends).
SHUBHIT KHURANA
partner
Shubhit also began with Architecture at USAP, IP University (2016), before diving into International Design & Business Management at Hong Kong Polytechnic University (2018) and then Strategic Design at TU Delft, Netherlands (2019). Along the way, he picked up habits of his own: seeing layouts like puzzles waiting to be solved, and refusing to settle for the obvious answer when a bolder one might exist.
That mix shows up in the way he works with numbers, flow, and narratives - optimizing space while weaving in brand identity and context. He’s also the one who brings in color and fearless experiments (yes, he’s the reason we debate over 27 shades of white).
AKASH KATNAWAR
architect
Bachelors in Architecture (B.Arch), USAP, IP University // 2023
Usually a silent spectator, meandering across softwares and screens, he very keenly transforms vague thoughts to not so silent spaces. Never says no to snacks, caffeine and 'the office'.
TEPAISH KUMAR
architect
Bachelors in Architecture (B.Arch), USAP, IP University // 2023
Passionate about purposeful work and bringing ideas to life. A humble team player who lets the results do the talking. Catch him grooving to lo-fi beats while turning thoughts into captivating designs.
SEJAL ARORA
architect
Bachelors in Architecture (B.Arch), USAP, IP University // 2024
Firmly believes that architecture is all about problem solving and can be seen always sketching her ideas (which only she can understand). While she tries to thrive in the architectural world, she equally values her downtime, cherishing moments of relaxation and embracing her role as a devoted K-pop fan.
NITYA BHARGAVA
architect
Bachelors in Architecture (B.Arch), Institute of Architecture and Planning,
Nirma University, Ahmedabad // 2024
Passionate about well-designed environments, she sees great spaces as a balance between aesthetics, functionality, and inclusivity. She believes that designs for the future require sustainable practices today. When she’s not hosting or hanging out with friends, you’ll find her reading random books and critiquing how those very books are designed.